I count the minutes in grains of rice, scrapping my fork across the ceramic plate slowly transfering the heaping dinner from one side of the china to the other, difusing its heat to the tune of my stomach growling. He's not coming back, 15 minutes of rice maneuving tells me, about two thirds of the pile sits neatly stacked on the northwest side as an homage to my nostalgia. I scoop disappointedly at my unfinished progress; a little strong on the disinterest Toto, and next time ease up on the salt.
What is it about the host father that creates such towering hopes? Ah, yes, i think, i'm comparing to the real thing. A man who never was coaxed into conversations by sports talk or menial fillers, but enjoys sports nonetheless and if i were to bring it up i'm sure he'd have plenty to teach me. The menial, that too is an expertise of my old man, taking his 124 pack of crayolas to the prestenciled conversation and colors it sea foam and robbin red, bottom-of-the-sneaker-brown and a spalsh of crimson cow meat for good measure (latter two found in the Argentine Crayola version). Now part of me is hungry, in fact most is shocked when i glance away from the glow of my computer screen to stare at my empty plate. There was just homage there a minute ago. Nevertheless, my ID takes control of my fingertips and sprays breadcrumbs all over the glass tabletop in a fit of sexual and/or agressive instincts.
I look up again, reminded that he took his dinner to the bedroom, to join the host mom (and our apparent host buffer) while she sleeps. It has yet to be tested, but i'm venturing to guess that if we spent just a little more time together time itself would start to regress. Or the minute hand continues pushing clockwise while the hour counters, and they'd start to spin so rapidly that they get entangled in one another until the entire clock collapses, concave, in on itself, through the olive green wallpaper and into a dimension that knows no such discomfort. Ah, take me with you.
I'm learning a lot about other people recently, reading blogs, facebooks, innuendos, body language. This is only and most appropriately the product of fine tuned stalling for the obligatories of life. Far too often i forget that what my fingertips punch out into this 2 by 6 inch blog box is read by others, and not just for reflecting's sake in deperate times such as these very ones i am doggypaddling through. But now, readers, if readers there be, ye be warned. Because i've hopped on board the reading rampage, facebook frenzies and fancy-free powered by one too many mates sipped and two too few papers finished. Ah, he returns to start cleaning up. I think i head the ominous backwards ticking of time. Seguir, hay que seguir.
Monday, October 25, 2010
Monday, October 4, 2010
blasé for a group of undifferentiated readers
I decided to slip on my blasé today, skimming through simmelean theory, lingering in parts that pertain not in the slightest to what i am meant to be writing. And i lifted it up and i let it fall over my head and slid my arms through it's silky lining, my body covered in its warm withdrawl. He writes,
"just as an immoderately sensuous life makes one blasé because it stimulates the nerves to their utmost reactivity until they finally can no longer produce any reaction at all, so, less harmful stimuli, through the rapidity and the contradictoriness of their shifts, force the nerves to make such violent responses, tear them about so brutally that they exhaust their last reserves of strength and, remaining in the smae milieu, don not have time for new reserves to form. This incapacity to react to new stimulations with the required amound of energy consitutes in fact that blasé attitude which every child of a large city evince when compared with the products of the more peaceful and more stable milieu"
and his words in webs lead to an intricate entanglement of blasé, letters like a spilled boggle game suspended in the air, woven with the bleached sand from the broken minute timer. and i think back to all that i've stored and i feel bloated, not in the selfconscious sense of the term, no. but i am a little nervous that if i get squeezed just hard enough, my skin with turn to sponge and out will pour all of everything i've been soaking up, keeping clean, storing away, on another's perfectly white blouse. what if blasé could be my plaster, hardening quickly to store thoughts in its disinterest. or blasé in aisle three of the downtown Sears, a kitchen sink drain that safely sucks whatever i seep down a route of pipes, dilluting and polluting the local watering hole. i think i'd order my blasé with two scoops of cherry garcia, or would it have to be vanilla, for blasé's sake? i'd peirce it's nose and eyebrow and tongue and scar it's body with Ed Hardy inspired tattoos and something just slightly less than offensive, i'd dye it's hair black and shave half of it's head, thread safety pins through pant legs and shirt sleeves and patch on "like i give a fuck" to the back of it's tattered jean jacket.
ohhh blasé on a day like today, it made sun denying all the easier, and computer staring a little more justified. i think of all the excuses i have gleened throughout my years of eduactional failures. they've been so very elaborate at times that the excuse itself earned me a B+, or perfectly tailored to the authorities vulnerability that they simply can't say no. i think i can i think i can, steam roaring from my hardrive, and all i can get is
"my blasé ate my homework".
"just as an immoderately sensuous life makes one blasé because it stimulates the nerves to their utmost reactivity until they finally can no longer produce any reaction at all, so, less harmful stimuli, through the rapidity and the contradictoriness of their shifts, force the nerves to make such violent responses, tear them about so brutally that they exhaust their last reserves of strength and, remaining in the smae milieu, don not have time for new reserves to form. This incapacity to react to new stimulations with the required amound of energy consitutes in fact that blasé attitude which every child of a large city evince when compared with the products of the more peaceful and more stable milieu"
and his words in webs lead to an intricate entanglement of blasé, letters like a spilled boggle game suspended in the air, woven with the bleached sand from the broken minute timer. and i think back to all that i've stored and i feel bloated, not in the selfconscious sense of the term, no. but i am a little nervous that if i get squeezed just hard enough, my skin with turn to sponge and out will pour all of everything i've been soaking up, keeping clean, storing away, on another's perfectly white blouse. what if blasé could be my plaster, hardening quickly to store thoughts in its disinterest. or blasé in aisle three of the downtown Sears, a kitchen sink drain that safely sucks whatever i seep down a route of pipes, dilluting and polluting the local watering hole. i think i'd order my blasé with two scoops of cherry garcia, or would it have to be vanilla, for blasé's sake? i'd peirce it's nose and eyebrow and tongue and scar it's body with Ed Hardy inspired tattoos and something just slightly less than offensive, i'd dye it's hair black and shave half of it's head, thread safety pins through pant legs and shirt sleeves and patch on "like i give a fuck" to the back of it's tattered jean jacket.
ohhh blasé on a day like today, it made sun denying all the easier, and computer staring a little more justified. i think of all the excuses i have gleened throughout my years of eduactional failures. they've been so very elaborate at times that the excuse itself earned me a B+, or perfectly tailored to the authorities vulnerability that they simply can't say no. i think i can i think i can, steam roaring from my hardrive, and all i can get is
"my blasé ate my homework".
Tuesday, September 14, 2010
pre and post escape - the inbetween cannot be chronicaled
Before
The problem i find to be so bothersome between the individual and the mall mostly has to do with overstimulation. A single mind can't handle it. Inundated with needs you don't want, wants you can't justify, justifications you don't have, and yet in the end you inevitably leave having nonetheless. La facultad is my ideological mall - moral pushing, agenda forcing, belief demanding, filling my mass produced shoulderbag with someone else's thoughts. I find myself and my ideas lost deep within the crowd on the second story food court, packed in, drowned out, swaying slightly with the constant movement, tossed back and fourth, bouncing off options. Some sociopathic shopper finally does it, strikes a match, lighting the curtains in Potter Barn aflame, spreading up the linens, to the sofas and therapeutic mattresses, scorching plaster and wallpaper. It ignites a series of perfumes in the neihgboring Abercrombie, the smells of burning Vans rubber soles melt into Cinabon's quickly overcooked dough. I can't find the emergency exit. Frankie says there's two general ways to go about life - attached or detached. We can stop, toss a moneda into an open guitarcase, sob for the blind, feel for the poor, let the rage of others flow through our pours, pump through out veins, spill out our fingertips, or we can catch that subte and coast. That may be the comfort i find in these red velvet seats, marking the last leg of my journey home. Stained and ripped, they serve as a checkpoint in my detachment and remind me for a moment that despite all that i choose not to be a part of, of all that i feel no commitment to, at least i know i'm on my way.
After
I unhook the worn velcro and tug at the matted curtain to watch the last four days of my escape slide by me, tumbling and trailing down the one lane highway, remains like fallen luggage of the back of a flatbed truck. The furthest parts of the horizon start to show just the slightest signs of nightfall, a tinted lavender painted with the tips of a fan brush. The trees are planted with a definate intent, of which, however, i am still not quite sure. But there they stand, filed neatly one behind the other, posed like soldiers stoic and indistinguishable. I think that if i were to stop and examine, although it would take all the examining i could muster, there's a chance I might begin to see them individually. Run my softened tired hands along their bark, feel the width of each varied trunk, smell their roots, and if i am perfectly, most certainly alone, i'd lick a section for perspective's sake. They do not let their arms extend, branches turned upwards and kept to themselves. I bet when i'm not looking, one sneaks a pinch at another's torso, or a sister tree leans its towering limbs over quickly to the right and temporarily knocks her brother off balance. I open my eyes and see the rest shaking in repressed giggles with the rushing of wind. As the doubledecker pounds past farmland, rows of tall thin bark disappear into parallel lines, popping out the other side for miles on end. Vineyards too show their dearest sympathy for my return to a semblance of reality. Leafless trimmed vines bow their heads refusing to even look my way. On the drive in, their demeanor was quite different - bellys out and bent backwards, they balanced with arms wrapped round one another, drunken and beckoning for me to come with them. You could hear their festive singing, out of tune and slightly off beat, strung together with slurred speech and the occasional clancking of glass on glass. Now they are prisoners, necks hang in shame and backs doubled over in pain. Their arms are locked perpendicular to their body, chained to a barbed wire strung behind their heads. Not one to move, no fleeting peak, bound there until the season's pardon. As i turn my head to see them slip away into the distance, i watch the flowering stems begin to show their fruit, grapes tumbling in bunches the further i move forward, and i just hope they wait for me when another vacation is so desperately needed.
The problem i find to be so bothersome between the individual and the mall mostly has to do with overstimulation. A single mind can't handle it. Inundated with needs you don't want, wants you can't justify, justifications you don't have, and yet in the end you inevitably leave having nonetheless. La facultad is my ideological mall - moral pushing, agenda forcing, belief demanding, filling my mass produced shoulderbag with someone else's thoughts. I find myself and my ideas lost deep within the crowd on the second story food court, packed in, drowned out, swaying slightly with the constant movement, tossed back and fourth, bouncing off options. Some sociopathic shopper finally does it, strikes a match, lighting the curtains in Potter Barn aflame, spreading up the linens, to the sofas and therapeutic mattresses, scorching plaster and wallpaper. It ignites a series of perfumes in the neihgboring Abercrombie, the smells of burning Vans rubber soles melt into Cinabon's quickly overcooked dough. I can't find the emergency exit. Frankie says there's two general ways to go about life - attached or detached. We can stop, toss a moneda into an open guitarcase, sob for the blind, feel for the poor, let the rage of others flow through our pours, pump through out veins, spill out our fingertips, or we can catch that subte and coast. That may be the comfort i find in these red velvet seats, marking the last leg of my journey home. Stained and ripped, they serve as a checkpoint in my detachment and remind me for a moment that despite all that i choose not to be a part of, of all that i feel no commitment to, at least i know i'm on my way.
After
I unhook the worn velcro and tug at the matted curtain to watch the last four days of my escape slide by me, tumbling and trailing down the one lane highway, remains like fallen luggage of the back of a flatbed truck. The furthest parts of the horizon start to show just the slightest signs of nightfall, a tinted lavender painted with the tips of a fan brush. The trees are planted with a definate intent, of which, however, i am still not quite sure. But there they stand, filed neatly one behind the other, posed like soldiers stoic and indistinguishable. I think that if i were to stop and examine, although it would take all the examining i could muster, there's a chance I might begin to see them individually. Run my softened tired hands along their bark, feel the width of each varied trunk, smell their roots, and if i am perfectly, most certainly alone, i'd lick a section for perspective's sake. They do not let their arms extend, branches turned upwards and kept to themselves. I bet when i'm not looking, one sneaks a pinch at another's torso, or a sister tree leans its towering limbs over quickly to the right and temporarily knocks her brother off balance. I open my eyes and see the rest shaking in repressed giggles with the rushing of wind. As the doubledecker pounds past farmland, rows of tall thin bark disappear into parallel lines, popping out the other side for miles on end. Vineyards too show their dearest sympathy for my return to a semblance of reality. Leafless trimmed vines bow their heads refusing to even look my way. On the drive in, their demeanor was quite different - bellys out and bent backwards, they balanced with arms wrapped round one another, drunken and beckoning for me to come with them. You could hear their festive singing, out of tune and slightly off beat, strung together with slurred speech and the occasional clancking of glass on glass. Now they are prisoners, necks hang in shame and backs doubled over in pain. Their arms are locked perpendicular to their body, chained to a barbed wire strung behind their heads. Not one to move, no fleeting peak, bound there until the season's pardon. As i turn my head to see them slip away into the distance, i watch the flowering stems begin to show their fruit, grapes tumbling in bunches the further i move forward, and i just hope they wait for me when another vacation is so desperately needed.
Monday, August 9, 2010
A Toast to the Little Things
Something in the way these fabrics are arranged haphazardly in the filthy storefront windows lulls me into a state of sudden tranquility. The colors pass, flash through my eyes and distract me from whatever mission i was on. Its like a long lost REM cycle that i had once as a child, swirls of dancing polka dots waltz briskly with the strips and solids. Sleepwalking through this city is easy, my feet hit autopilot and coast to no destination in particular. I start to wonder how cities divvy themselves up - could it be in a smoky saloon, late nights spent with city officials in wrinkled buttondowns and loosened ties, all shouting and pounding half full beer mugs on the table as darts are thrown at a pinned up aged monopoly board? Or maybe its done over a glass of chardonnay in a private jet, two capitalist profiteers joking and laughing and drinking from a birds eye view. Sporadically, and whenever they see it fit, one will press a large red button which drops whatsoever industry they please from their elevated height, maybe a mexican restaurant or a grungy cafe, and like a cherry pit spit out by an on-the-go-snacker, it takes root and forms an enclave of varying cuisines. Half lucid, i start to take note of my environment, disappointed in my legs for carrying the rest of me deep into what must be the city's textile district. My goal was simple enough, once upon an attention span. A cafe, a restaurant, perhaps a couch and the low vibrations of a spanish guitar, dimmer lighting and people scattered throughout the tables, all as alone and perfectly satisfied as i am. The beauty is in those details, but i'd settle for any cafe. I pop the clutch on my flinstone-mobile and downshift into third with a renewed sense of purpose.
I think back to freshman year, LJ and i meandering the salted streets of ann arbor, hopelessly searching for any place suited to fit our complaints and demands. Like a cartoon from the 90s, we turn out our pockets to find a collective 27 cents, a button and a piece of string - hardly enough to haggle for a cup of coffee. So we wander, nomadic in mind and soul, broke and exhausted and indecisive as ever before. Something fate-like carried us back to the linoleum halls of east quad's basement, and without hesitation we begin to test doorhandle after doorhandle in hopes of finding our personal Narnia. Finally, an unmarked door swings open exposing a line of lockers, a couch, and what appears to be a men's bathroom, and with no sense of dignity whatsoever, we sit down under the cracking fluorescent lights and breathe in the stale airfreshener as if this was our home. Now, face to face with that same desperate search, i tune in to my abounding solitude. If the saying is true, and two heads are in fact better than one, well readers, i'm fucked. My terrifying destiny of ending up along in a junkyard or atop a sacrificial alter surrounded by clocked middle aged men or anywhere else terrifically inappropriate grabs me by the ear and pulls me forward. Eagle eyes spot outdoor seating in the distance, 4 or 5 blocks and to my left, so i weave in and out of pedestrian traffic, never checking my rear view mirror or blind spots and occasionally knocking the more cautious sidewalkers off balance. Now i sit, listening to the mellowed tunes of some acoustic spanish soft rock with notebook out and mate in hand, i feel my first real sense of accomplishment here. Is this what growth is like? Is this how maturity overcomes? Does the bitter taste of this earthy tea represent fulfilled goals, tribulations skirted, and independence granted? I look at my watch wagging its finger at me, "you still have an hour to kill" it nags, "take it easy on the yerba baby". I pour and gulp without hesitation, i earned this drink.
I think back to freshman year, LJ and i meandering the salted streets of ann arbor, hopelessly searching for any place suited to fit our complaints and demands. Like a cartoon from the 90s, we turn out our pockets to find a collective 27 cents, a button and a piece of string - hardly enough to haggle for a cup of coffee. So we wander, nomadic in mind and soul, broke and exhausted and indecisive as ever before. Something fate-like carried us back to the linoleum halls of east quad's basement, and without hesitation we begin to test doorhandle after doorhandle in hopes of finding our personal Narnia. Finally, an unmarked door swings open exposing a line of lockers, a couch, and what appears to be a men's bathroom, and with no sense of dignity whatsoever, we sit down under the cracking fluorescent lights and breathe in the stale airfreshener as if this was our home. Now, face to face with that same desperate search, i tune in to my abounding solitude. If the saying is true, and two heads are in fact better than one, well readers, i'm fucked. My terrifying destiny of ending up along in a junkyard or atop a sacrificial alter surrounded by clocked middle aged men or anywhere else terrifically inappropriate grabs me by the ear and pulls me forward. Eagle eyes spot outdoor seating in the distance, 4 or 5 blocks and to my left, so i weave in and out of pedestrian traffic, never checking my rear view mirror or blind spots and occasionally knocking the more cautious sidewalkers off balance. Now i sit, listening to the mellowed tunes of some acoustic spanish soft rock with notebook out and mate in hand, i feel my first real sense of accomplishment here. Is this what growth is like? Is this how maturity overcomes? Does the bitter taste of this earthy tea represent fulfilled goals, tribulations skirted, and independence granted? I look at my watch wagging its finger at me, "you still have an hour to kill" it nags, "take it easy on the yerba baby". I pour and gulp without hesitation, i earned this drink.
Friday, July 30, 2010
El Gato Negro
The wood lining the walls of this tiny tea shop is stained with years of fragrant steam. The color of the cabinets change as you get closer to the bar, more worn and almost darker as the line of tea-pots sing in surprising synchronization. Trying to take in some self-directed courses on argentine history, i leaf through my book and let my eyes settle on the beginning with its conquest. I wonder why table manners and warfare etiquette never crossed paths. Centuries of fighting, plagues, domination, slaughter, scandle, humiliation, and all those fantastic little add ons that come with the "civilization" process could have been easily side-stepped if the royalty and generals just changed their perspective. Treaties i guess function in a similar fashion as the i-split-you-choose policy that us out-to-eaters are so accustomed to. But to flip-side this proposal, it could also make dining a dangerous experience. Hands bloody from guerrilla fork attacks, plates doubling as ceramic armor, and in the end you're left with a torn and soggy croissant that nobody really wants anyways. Maybe it is better to leave things in their current state of being.
Today's rain is impressive to say the least. It falls from all directions, pouring down against this broken borrowed umbrella, pounding up from the pavement and working its way through the threading of my jeans, and perfectly perpendicular when every carless car speeds over the shabby excuse for a drain that leaves muddy puddles to creep and slosh their way onto the sidewalk. Reading the awning aloud, i duck into "El Gato Negro" hoping for some dreadlocked musicians or maybe the jumpy superstitious type. The gentleman behind the counter is unfortunately neither, or so i type-cast by his rimless glasses and matching grey hair/sweater vest. Something floral, i think: i could use a little pseudo-sunshine. As i wait for a man too mature for that goofy red apron he's sporting to bring me my fruity tea, i feel the pounding guilt of reading in english, but the cover screams "Femenismo!" with its inverted punctuation that blogspot is not equipped to type, so i file this under semi-spanish and continue on my way. Two kids walk in, alongside a gorgeous portena woman who i disappointingly gather to be their mother, waving matching toys that light and spin and play an instrumental version of "Eye of the Tiger" at a speed that only Alvin and the Chipmunks could sing to. Each is perfectly unaware of the other and completely content pressing and lighting and conducting an offbeat round of their techno throwbacks, never long enough to actually rise "up to the challenge of our rival". The noise causes me to retreat, as it has for the past two weeks, but this place i was once so comfortable in is now new and flashing and in overdrive. My mind has begun to make mental loopty loops around its rusty metal frame like the afterhours of an amusement park open only to the carnies who work it and the locals who bribe their way in. This tiny fairground that i've swept and kept my entire life turns inside out, an exact negative of everything that i'm assured of. But this new point of view makes way for new combinations of ideas and thoughts, and i look at the carnies around me and i hear the children waving their toys and begging their hot mom for another cotton candy and to be quite honest i'm liking what i see.
Today's rain is impressive to say the least. It falls from all directions, pouring down against this broken borrowed umbrella, pounding up from the pavement and working its way through the threading of my jeans, and perfectly perpendicular when every carless car speeds over the shabby excuse for a drain that leaves muddy puddles to creep and slosh their way onto the sidewalk. Reading the awning aloud, i duck into "El Gato Negro" hoping for some dreadlocked musicians or maybe the jumpy superstitious type. The gentleman behind the counter is unfortunately neither, or so i type-cast by his rimless glasses and matching grey hair/sweater vest. Something floral, i think: i could use a little pseudo-sunshine. As i wait for a man too mature for that goofy red apron he's sporting to bring me my fruity tea, i feel the pounding guilt of reading in english, but the cover screams "Femenismo!" with its inverted punctuation that blogspot is not equipped to type, so i file this under semi-spanish and continue on my way. Two kids walk in, alongside a gorgeous portena woman who i disappointingly gather to be their mother, waving matching toys that light and spin and play an instrumental version of "Eye of the Tiger" at a speed that only Alvin and the Chipmunks could sing to. Each is perfectly unaware of the other and completely content pressing and lighting and conducting an offbeat round of their techno throwbacks, never long enough to actually rise "up to the challenge of our rival". The noise causes me to retreat, as it has for the past two weeks, but this place i was once so comfortable in is now new and flashing and in overdrive. My mind has begun to make mental loopty loops around its rusty metal frame like the afterhours of an amusement park open only to the carnies who work it and the locals who bribe their way in. This tiny fairground that i've swept and kept my entire life turns inside out, an exact negative of everything that i'm assured of. But this new point of view makes way for new combinations of ideas and thoughts, and i look at the carnies around me and i hear the children waving their toys and begging their hot mom for another cotton candy and to be quite honest i'm liking what i see.
Friday, July 23, 2010
Al Sur
I'm trapped in my own foreign film and from this point of view is awfully hard to read the subtitles. Where can you find it, you ask? In the discount section - to the right and all the way back against the wall at Blockbuster, in the midst of a full fledged blowout liquidation amongst hoards of people, teens desperately trying to get their hands on the latest R rated movies to stash with their soft core porn that their mother secretly knows about and 50 something year old women buying out every sentimental feel good to ease their pain of being alone on a saturday night and alternative 20 year olds looking for obscure documentaries about the life of patti smith as told from the point of view of her pet bullfrog that she killed when she was a child - hidden deep within a recycled cardboard box is a movie, my movie, that i will promise right now is not worth the wait. Overly decortative with rogue accents sandwiched between consonants, the cover is a shot of a beautiful city with gorgeous people, spilling culture and art in the places that aren't overwhelmed with smog from the bus system... and then there's me. Yeah, take out your glasses, or binoculars, right there, down on the lefthand side, that girl. No, no not that one, she's better dressed, I'm further left, clinging to that one-zipper backpack like it's my youngest of kin and reeking of a different brand of isolation that knows no name. Ay, mira esa mina, que lastima, que triste. Ay, pobrecita, tan confundida como melodramatica - deja de quejarse.
It's not that i'm complaining (well, that's a lie, and i recognize that a whine by another name still sounds as sweet), just narrating the constant stream of consciousness that isn't yet strong enough to break down this language barrier. It has to go somewhere. If not out my flailing lips then maybe through my fingernails, past the tips, onto this screen. If not to be heard by others on my program who i am too quick to call friend (because my spanish vocabulary is that of a 4 year old who never eats but just smokes and drinks), then by those interested eyes browsing the ether for something more distant from the lives of their own, because hey, you guys have to live your lives all the time; why not take a break and peek into mine. Es una experiencia, they say, and i agree, all too aware that there is a very deliberate reason for not placing an adjective before that noun. It changes, not by the day nor hour, but by fleeting moments that can only be measured in catcalls and extended eye contact, by las tazas de cafe amargo and trips on el subte. What comes out is instead the strangest side of my personality that i have ever seen (and take note that i've known myself for almost 21 years, maybe even more if your a diehard pro-lifer): i cling to people i don't know or necessarily like, and those that i do are doused in an overeager attempt to fasten any kind of relationship a little too tightly. I walk with a certain caution, little ease, and unforturnately no sense of direction. Appreciation of that time alone with my feet treading new pavement and my eyes darting rapidly from parts of my surroundings has disappeared, quickly replaced with a discomforting new tension that i'll get robbed or raped or worse, that someone might try to talk to me. And these fears that never had a permenant residence in my mind have started a barfight with a clan of pseudofilosophical ideas, outdated pop-culture references, and confident yet sleezy pick-up lines - i don't think i need to spell out which gang is winning. But alas, it's 10:20, and just minutes ago i was charmed by the meal stored safely for me in the microwave. At 10:40 i'll be busy thinking about which soap was mine in the shower and if this new ultra-femme smell it has is drastically changing my natural scent. And so on and so forth until i find another outlet willing to hold my thoughts.
It's not that i'm complaining (well, that's a lie, and i recognize that a whine by another name still sounds as sweet), just narrating the constant stream of consciousness that isn't yet strong enough to break down this language barrier. It has to go somewhere. If not out my flailing lips then maybe through my fingernails, past the tips, onto this screen. If not to be heard by others on my program who i am too quick to call friend (because my spanish vocabulary is that of a 4 year old who never eats but just smokes and drinks), then by those interested eyes browsing the ether for something more distant from the lives of their own, because hey, you guys have to live your lives all the time; why not take a break and peek into mine. Es una experiencia, they say, and i agree, all too aware that there is a very deliberate reason for not placing an adjective before that noun. It changes, not by the day nor hour, but by fleeting moments that can only be measured in catcalls and extended eye contact, by las tazas de cafe amargo and trips on el subte. What comes out is instead the strangest side of my personality that i have ever seen (and take note that i've known myself for almost 21 years, maybe even more if your a diehard pro-lifer): i cling to people i don't know or necessarily like, and those that i do are doused in an overeager attempt to fasten any kind of relationship a little too tightly. I walk with a certain caution, little ease, and unforturnately no sense of direction. Appreciation of that time alone with my feet treading new pavement and my eyes darting rapidly from parts of my surroundings has disappeared, quickly replaced with a discomforting new tension that i'll get robbed or raped or worse, that someone might try to talk to me. And these fears that never had a permenant residence in my mind have started a barfight with a clan of pseudofilosophical ideas, outdated pop-culture references, and confident yet sleezy pick-up lines - i don't think i need to spell out which gang is winning. But alas, it's 10:20, and just minutes ago i was charmed by the meal stored safely for me in the microwave. At 10:40 i'll be busy thinking about which soap was mine in the shower and if this new ultra-femme smell it has is drastically changing my natural scent. And so on and so forth until i find another outlet willing to hold my thoughts.
Wednesday, June 23, 2010
mind itch - no cause, no relief
Ambiguity is the ibuprofen of the writing world, a temporary cure-all for any chronic irritation. Used liberally and in increasingly higher doses, sold over the counter in broken hearted love songs from one hit wonder 80s artists, found stashed in your fathers medicine cabinet, a few hidden in the beginnings of many a leather bound journal. They don’t have a support group for this kind of addiction, really, nothing substantial would get said. Instead we’d all just pass around the bottle hoping the rattling noise of pills against plastic might drown out our over-stimulated minds. “Write”, something says in the familiar raspy voice of your conscience, wiser than its years, softened by cigarettes and whiskey. Yeah, that worked yesterday and maybe last week, but tonight trapped in the haze of a passing electrical storm everything is jittery, one word misplaced and the friction will set these fucking walls aflame. So you sit, staring at a blank word document until that 80s song comes on, pounding out of your broken speakers, cutting through the humidity, trailing out the window, whining and crying with the same alleviating sense as the sound of a pen tracing across old paper. And you take no enlightening message away, and you can't marvel in the beauty of the words or composition, and you're fairly sure you heard Prince do an electronic cover of this once before, and you're even more sure that neither version is any good but jesus, that sounds great. And with the clicking of fingers rolling freely across keys, your ambiguous advil starts to lose strength, but your hands keep flying and the words keep coming and I hardly know you, but you’re still on my mind.
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